Okay-Pop teams have been capturing the hearts of music fans all over the world with their beautiful visible and stage presence. Particularly, Okay-Pop boy teams appeal to followers by presenting hybrid masculinity – the coexistence of “exhausting masculinity” and “delicate masculinity”. Laborious masculinity refers to conventional attributes of masculinity established by the society comparable to possessing a powerful physique construct in addition to a robust and hard picture. However, delicate masculinity is a type of masculinity that encompasses traits reverse to the standard definition of masculinity, comparable to being caring and compassionate, and possessing “fairly”, female appearances. Hybrid masculinity creates “banjeon maeryeok” (surprising/reverse attraction), which refers to an individual who initially appears to have one kind of persona or look, however on the identical time exhibits a very totally different aspect. Okay-Pop idols shock followers with their contrasting photos on stage and off stage, and this is likely one of the components that makes Okay-Pop idols enticing to many followers. Though Okay-Pop boy teams have been showcasing hybrid masculinity because the 1st-gen period within the late Nineties, the presentation of hybrid masculinity has been consistently evolving all through the years. As the recognition of Okay-Pop continues to extend overseas, Okay-Pop boy group’s definition of masculinity can also be influencing the picture of boy teams from neighboring Asian international locations and cities. Learn on to discover how the hybrid masculinity of Okay-Pop boy teams has modified throughout generations, and in what methods it’s shaping the sweetness customary of current boy teams in Asia. 1st-Gen (1996-2001): Navigating Between Manly and Boyish Ideas The first-gen Okay-Pop scene was dominated by two boy teams: H.O.T and Sechskies. Each boy teams embodied hybrid masculinity of their styling and music, which made them acquire immense reputation amongst teenage ladies in Korea. H.O.T demonstrated their manly, highly effective aspect in ‘I Yah’, the place Moon HeeJun wore enormous scissor palms, whereas Sechskies wearing all black, warrior-like outfit in ‘Com’Again’ whereas dancing to the punchy and highly effective music, exhibiting the aggressive high quality of conventional masculinity. On the identical time, each teams additionally introduced their delicate, boyish aspect by releasing vibrant idea songs. H.O.T members put paint on their faces and wore outsized colourful outfits and gloves within the candy bubblegum pop ‘Sweet’. Sechskies additionally wore heat shade furry garments within the winter romance observe ‘Couple’, and Kang SungHoon wore a college bag within the music exhibits reside performances. Each songs confirmed a cute and beautiful picture of the 2 teams, which is likely one of the qualities of soppy masculinity. Nevertheless, whatever the ideas they tried, the members all wore easy make-up that they nearly appeared bare-faced. Their stage outfits have been additionally covered-up and outsized, which didn’t reveal their physique form. That is primarily as a result of Korean society was nonetheless conservative about gender roles within the late 90s. Broadcast stations comparable to SBS and KBS arrange strict guidelines on the outfits and look of celebrities, and male artists have been banned or discouraged from carrying revealing outfits and placing on
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